I've got a new moving image work, and 2 new metallic prints in Flat Art at William Benington Gallery.
The show's on until 21st Feb, and also includes work by Mark Davey, Amy Stephens and Julian Wild.
I've got a new moving image work, and 2 new metallic prints in Flat Art at William Benington Gallery.
The show's on until 21st Feb, and also includes work by Mark Davey, Amy Stephens and Julian Wild.
Slightly glitchy screen recording sampling new moving image works
Space In Between have been invited to show in Dialogues at London Art Fair this year, and have been partnered with Grey Area, Paris. I'll be showing these 3 works, alongside works by other SIB artists Jennifer Bailey and Christian Newby.
A Practice to Map Digital Non-Space, 2014, outlines a working model of channels through which I am currently investigating how the physical world is translated into digital space.
A Geo-Digital Non-Space (iv): Street View Instaspective is an animation made from screen grabs taken from Google Street View. The video was imported into 3D modelling software and overlaid with transparent images of Instagram Filters. These normalising visual effects continually shape the viewers perspective of a world seen through appropriated online imagery.
Image 1
Image 2
A couple of images from the open studio event at the end of my 1 month residency at ESXLA.
(From left-right: Image 1, Image 2, Image 3).
Images 2 and 3 operate within a geo-digital non-space.
Images 2 and 3 are not overt photographic mappings of reality, or predominantly informed by digital aesthetics.
Images 2 and 3 exist in a space between the physical and digital, a geo-digital non-space paradoxically brought into being by a digitisation of physical reality.
Image 1
Image 2
Image 3
Images 1 and 3 help to contextualise image 2 within a geo-digital non-space.
Image 2 is neither an overt photographic mapping of reality, or predominantly informed by digital aesthetics.
Image 2 exists in a space between the physical and digital, a geo-digital non-space paradoxically brought into being by a digitisation of physical reality.
Testing parts 1 and 2 of what will be a four channel video installation.
In the above version the screen is split vertically into quarters, with each section representing bit values 1, 2, 4 and 8 respectively. The video loops, counting from 1-15, and forms the first part of a work that will count in binary from 1 to a full byte.